{"id":39,"date":"2014-12-02T18:19:58","date_gmt":"2014-12-02T18:19:58","guid":{"rendered":"http:\/\/www.annasolal.com\/index\/?page_id=39"},"modified":"2026-01-20T15:56:06","modified_gmt":"2026-01-20T15:56:06","slug":"resume","status":"publish","type":"page","link":"https:\/\/www.annasolal.com\/index\/?page_id=39","title":{"rendered":"II &#8211; INFO"},"content":{"rendered":"\n<p><strong>ANNA SOLAL<br>00 33 (0)6 59 23 95 24<br>anna.solal@gmail.com<br><\/strong><strong>19.05.1988<br>Paris<\/strong><strong><br><\/strong><br><strong> Forthcoming*<br><\/strong><a href=\"https:\/\/www.instagram.com\/anna_solal\/?hl=fr\">Instagram<\/a><\/p>\n\n\n\n<p>SOLO &amp; DUO <\/p>\n\n\n\n<p>2026<br>Solo &#8211; Profil* &#8211; Paris<br><br>2025<br><em>Diplomatie<\/em> with Alix Prada &#8211; <a href=\"https:\/\/balloontooth.gallery\/chapter12.html\">Balloontooth Gallery<\/a><\/p>\n\n\n\n<p>2024<br><em>Mille Projectiles<\/em> &#8211; Frac Montpellier &#8211; Montpelier<br><em>Intrication<\/em> &#8211; Duoshow avec Pierre-Unal Brunet &#8211; CCC OD &#8211; Tours<\/p>\n\n\n\n<p>2023<br><em>Le br\u00e9viaire<\/em> &#8211; Mamoth &#8211; London<br><em>Flag<\/em> &#8211; Duo show with Alix Prada &#8211; Condotto48 &#8211; Roma<\/p>\n\n\n\n<p>2022<br><em>Fr\u00e9missement<\/em> &#8211; Chateau d&#8217;Oiron &#8211; Oiron<br>Duo show with Arthur Marie &#8211; Lily Robert &#8211; Paris<br><em>On observation<\/em> &#8211; duo with&nbsp;Jochen Lempert &#8211; Kunstverein Reutlingen<br><em>Adresse aux g\u00e9monies<\/em> &#8211; Britta Rettberg Gallery &#8211; Munich<\/p>\n\n\n\n<p>2020<br><em>Le jardin, la zone<\/em> &#8211; Edouard-Manet &#8211; Gennevilliers<\/p>\n\n\n\n<p>2019<br><em>Le jardin<\/em> &#8211; CAC Passerelle &#8211; Brest<br><em>La salle de bain &#8211;&nbsp;<\/em><a href=\"http:\/\/www.futuraproject.cz\/en\/futura\/\">FUTURA<\/a> &#8211; Prague<\/p>\n\n\n\n<p>2018<br><em><a href=\"https:\/\/etaletc.com\/\">Gaga drawings<\/a><\/em>, Et al. at NADA&nbsp;Miami &#8211; Miami<br><em><a href=\"http:\/\/www.annasolal.com\/index\/?page_id=1988\">La Convalescence<\/a><\/em>&nbsp;&#8211; New Galerie &#8211; Paris<\/p>\n\n\n\n<p>2017<br><em><a href=\"http:\/\/interstateprojects.org\/\">The Harpist Rover<\/a><\/em>&nbsp;&#8211; Interstate Projects &#8211; NY<\/p>\n\n\n\n<p>GROUP EXHIBITIONS<br><br>2026<br>Group show &#8211; Galerie Christian Berst* &#8211; Paris<br><br>2025<br>Le nous d&#8217;une Autre &#8211; FRAC Nouvelle-Aquitaine  MECA<br><em>Graphe\u00efn <\/em>&#8211; Coll\u00e8ge Th\u00e9odre Monod &#8211; Cr\u00e9teil<br>Faux Semblants &#8211; La Traverse &#8211; Marseille<br><em>Don\u2019t Take It Seriously<\/em> -Temnikova &amp; Kasela &nbsp;Gallery &#8211; Tallinn<br><em><a href=\"https:\/\/www.creuxdelenfer.fr\/fr\/exhibitions\/1289-in-vivo\">In Vivo<\/a> <\/em>&#8211; Le creux de L&#8217;enfer &#8211; Thiers<br><em>Minimal, Minimal<\/em> &#8211; Poush &#8211; Aubervilliers <br><em>Enormement bizarre<\/em>. Collection Jean Chatelus &#8211; Centre Pompidou &#8211; Paris<br><\/p>\n\n\n\n<p>2024<br><em>La Complicit\u00e9<\/em> &#8211; l&#8217;EESAB &#8211; Quimper<\/p>\n\n\n\n<p>2023<br><em>Una linea storta tesa<\/em> &#8211; Villa M\u00e9dicis &#8211; Rome<br><em>Beaux Arts x Mondes Nouveaux<\/em> &#8211; Paris<br><em>Myst\u00e9rieux Sentiments<\/em> &#8211; FRAC MECA &#8211; Bordeaux<\/p>\n\n\n\n<p>2022<br><em>Raccrocher les wagon<\/em> &#8211; Galerie Edouard Manet &#8211; Edouard Manet<br><em><a href=\"https:\/\/artviewer.org\/wet-resistance-at-dortmunder-kunstverein\/\">Wet resistance<\/a><\/em> &#8211; Dortmunder Kunstverein- Dortmunder<br><em>Nuit Blanche<\/em> &#8211; Villa M\u00e9dicis &#8211; Rome<\/p>\n\n\n\n<p>2021<br><em>Portrait de femmes<\/em>&nbsp;&#8211; Mus\u00e9e Albert Marzelles &#8211; Marmande<br><em><a href=\"http:\/\/www.newgalerie.com\/?page=exhibitions&amp;id=78\">Because the night<\/a><\/em>&nbsp;&#8211; new Galerie &#8211; Paris<br><em><a href=\"https:\/\/artviewer.org\/i-feel-boite-at-loggia\/\">I&nbsp; feel bo\u00eete<\/a><\/em>&nbsp;&#8211; Loggia &#8211; Vienne<br><em><a href=\"https:\/\/www.lesabattoirs.net\/expositions\/mezzanine-sud-2\">Prix Mezzanine Sud<\/a><\/em>&nbsp;&#8211; Mus\u00e9e des Abattoirs &#8211; Toulouse<\/p>\n\n\n\n<p>2020<br><em><a href=\"https:\/\/ddw.nl\/en\/programme\/3732\/nondepleted\">(Non)Depleted<\/a><\/em> &#8211; Design Biennal Online<br><em><a href=\"http:\/\/newscenario.net\/\">The Transparent Man<\/a> <\/em>&#8211; New scenario<br><a href=\"https:\/\/www.ppcontemporary.com\/\">OUTSIDE WITHIN<\/a>&nbsp; curated Gergana Todorova, ppcontemporary &#8211;&nbsp;Frankfurt-on-Main<br><em><a href=\"http:\/\/highart.fr\/exhibitions\/current\/\">YOUR FRIENDS AND NEIGHBORS<\/a><\/em> &#8211; High art &#8211; Paris<br><em><a href=\"http:\/\/www.treize.site\/\">Jacques de Bascher<\/a><\/em> &#8211; Treize &#8211; Paris<br><em><a href=\"http:\/\/www.parcsaintleger.fr\/portfolio\/fun-house\/\">Fun House<\/a><\/em> curated by Cristina Ricupero &#8211; Parc saint l\u00e9ger &#8211; Pougues-les-Eaux<br><a href=\"http:\/\/www.galeriepcp.com\/1365\/a-table-for-fifty\/\">Une table pour 50<\/a> &#8211; Galerie pcp &#8211; Paris<br><em>Material Art Fair<\/em> &#8211; FUTURE gallery &#8211; Mexico<br><em><a href=\"http:\/\/ginnyonfrederick.com\/\">Octopus<\/a><\/em> at Ginny Frederick &#8211; London<br><em><a href=\"http:\/\/www.tatjanapieters.com\/\">THE 4 GATE CONNECTION<\/a><\/em> &#8211; Tatjana Pieters &#8211; gent<\/p>\n\n\n\n<p>2019<br><em><a href=\"https:\/\/futuregallery.org\/transformers\/\">Transformers<\/a><\/em> &#8211; Future gallery &#8211; Berlin<br><em><a href=\"https:\/\/www.palaisdetokyo.com\/fr\/evenement\/futur-ancien-fugitif\">Futur, ancien, fugitif<\/a><\/em>&nbsp; at Palais de Tokyo &#8211; Paris<br><em><a href=\"http:\/\/tranen.nu\/show\/2019-biotechnosphere\/\">Biotechnosphere<\/a><\/em>&nbsp;curated by Toke Lykkeberg at Tranen &#8211;&nbsp; Copenhagen<br><em><a href=\"http:\/\/eigen-art-lab.com\/\">Cater to you<\/a><\/em>&nbsp;at Eigen &amp; Art Lab &#8211; Berlin<br><em><a href=\"https:\/\/bagnoler.com\/\">Presque tout<\/a><\/em> curated by Guilhem Monceaux at Bagnoler &#8211; Bagnolet<br><em><a href=\"http:\/\/gallery.money\/?fbclid=IwAR0mMC8STOnM-kXc5f5dQWlbC4HoYfZ410Qe6aeLYXrijpc7rT49opI8z3w\">B<\/a><\/em> at Money Gallery curated by Ilya Smirnov &#8211;&nbsp; Moscow<br><em><a href=\"https:\/\/www.villabelleville.org\/\">La Villa<\/a><\/em> curated by G<span class=\"st\">uilhem<\/span> M<span class=\"st\">onceaux at Villa Belleville &#8211; Paris<\/span><br><em><a href=\"http:\/\/uttran.org\/\">Uttran II<\/a><\/em> &#8211; group show curated by&nbsp;<span style=\"color: #000000; font-family: arial, helvetica, sans-serif;\">Emilie Palmelund &#8211;<\/span> Uttran<br><em><a href=\"http:\/\/www.lucybull.com\/fromthedeskof\/the-nourishment\/anna-solal\/ficus-interfaith\/joanne-greenbaum\/nolan-simon\/dylan-spaysky\">The nourishment<\/a><\/em> &#8211; From the Desktop of Lucy Bull &#8211; LA<br><em><a href=\"http:\/\/interstateprojects.org\/\">Who cares<\/a><\/em> at New Galerie &#8211; Paris<br><em><a href=\"http:\/\/www.damienandtheloveguru.com\/this-future-is-unthinkable-yet-here-we-are-thinking-it\/\">This future is unthinkable. Yet here we are, thinking it<\/a>. <\/em>curated by Juliette Desorgues at Damian and The Lovu Guru &#8211; Brussels<\/p>\n\n\n\n<p>2018<br><em><a href=\"http:\/\/themycologicaltwist.info\/myco-tv\/\">Myco-TV <\/a>&#8211;&nbsp;<\/em> curated by themycologicaltwist &#8211; Paris<br><em><a href=\"http:\/\/www.horseandponyfinearts.com\/\">Running Room<\/a><\/em> curated by T&amp;T Butler+Ballot at Horseandpony &#8211; Berlin<br><em><a href=\"https:\/\/www.artribune.com\/mostre-evento-arte\/sauvage\/\">Sauvage<\/a><\/em> curated by Sonia D&#8217;Alto,&nbsp;Dom Art space &#8211; Palermo<br><em> <a href=\"http:\/\/etaletc.com\/#\/galleries\/1\">Man-Thing vs Swamp Thing part I<\/a><\/em>, Et al. &#8211; San&nbsp;Francisco<br><em><a href=\"http:\/\/www.cac-passerelle.com\">Deux sens du d\u00e9coratif<\/a><\/em>,&nbsp;curated by Michal Novotn\u00fd,&nbsp;CAC Passerelle &#8211; Brest<br><em><a href=\"http:\/\/ginnyprojects.com\">Some People Are Worth Melting For<\/a> <\/em>curated by Ginny Projects,&nbsp; Llanwrtyd Wells<br><em><a href=\"http:\/\/artmontecarlo.ch\/evenements\/contemporary-art-on-a-private-boat-2018\/\">Hypersea<\/a><\/em> curated by Juliette Desorgues, ArtMontecarlo, Monaco<br><em><span class=\"s4\"><a href=\"http:\/\/parisassbookfair.fr\/m-i-mi1glisse\/\">Posts Paris Ass<\/a><\/span><\/em><span class=\"s4\">&nbsp;curated by<\/span><em><span class=\"s4\">&nbsp;<\/span><\/em>M.I\/mi1gliss\u00e9, Palais de Tokyo &#8211; Paris<\/p>\n\n\n\n<p class=\"has-text-align-left\">2017<br><em><a href=\"http:\/\/toxickgringo.cosmopolitanissimo.be\">Cosmopolitanissimo<\/a><\/em> at Jimmy Hoo &#8211; Brussels<br><em><a href=\"https:\/\/www.catherinebastide.org\/exhibitions-events\/28082017-opening-of-allez\">Allez<\/a><\/em>,&nbsp;Catherine Bastide &#8211; Marseille<br><span id=\"m_-6005420770285279006m_-8523036735191514834gmail-m_4470066207244803536docs-internal-guid-ca0f58ad-c222-df8c-8d75-ac601ff7cccc\"><span class=\"il\"><i><a href=\"http:\/\/artviewer.org\/scamming-at-palazzo-lancia\/\">Scamming<\/a>,&nbsp;<\/i><\/span>Palazzo Lancia &#8211; Turin<\/span><br><span title=\"Modifi\u00e9\"><em><a href=\"http:\/\/www.lockupinternational.com\/\">Holiday<\/a><\/em> curated by Conor O&#8217;Shea, Lock Up Internationale <\/span>&#8211; Sydney<br><em>6 of CUPS\/Pleasure<\/em> curated by Shanta Rao and Julie B\u00e9na, La P\u00e9tanque &#8211; Paris<br><em><a href=\"http:\/\/yaby.org\/info.html\">Scientific Romance<\/a><\/em>, Yaby &#8211; Madrid<br><em><a href=\"http:\/\/plato-ostrava.cz\/en\/klub-fiesta\/\">Klub Fiesta<\/a><\/em>, Plato Ostrava &#8211; Ostrava<br><em><a href=\"http:\/\/www.levydelval.com\/exhibitions\/Otherwise-and-beyond\">Otherwhise and Beyond<\/a>,&nbsp;<\/em>Levy Deval &#8211; Brussels<br><em><a href=\"http:\/\/www.sydneysydney.net\/2021\/\">2021<\/a> ,&nbsp;<\/em>Sydney &#8211; Sydney<br><em><a href=\"http:\/\/artviewer.org\/form-cannibalism-at-the-stable\/\">From cannibalism<\/a>,&nbsp;<\/em>The Stable &#8211; Warengem<\/p>\n\n\n\n<p>2016<br><em><a href=\"http:\/\/www.operativa-arte.com\/little-planet-pavilion-curated-by-zoe-de-luca\/\">The Little Planet Pavilion<\/a><\/em> curated by Zoe de Luca, Operative Arte Contemporanea &#8211; Roma<br><em><span class=\"_4n-j fsl\"><a href=\"https:\/\/www.facebook.com\/events\/1709823296004764\/\">Dinner Room Terravore,<\/a>&nbsp;<\/span><\/em>OSLO10 &#8211; Basel<br><em><a href=\"http:\/\/sexmagazine.us\/sexlife\/1-the-hesitant-dramaturge-at-sardine\/\">The Hesitant dramaturge<\/a><\/em> curated by VI DANCER &amp; Et Al,&nbsp;Sardine &#8211; NY<br><em><a href=\"http:\/\/www.siliqoon.com\/laura-feral-in-the-well-derek-di-fabio-colin-foster-maria-gorodeckaya-anna-solal\/\">Laura Feral in the Well<\/a><\/em> curated by Siliqoon, Macao &#8211; Milan<br><em><span class=\"_4n-j fsl\"><a href=\"http:\/\/weekendsweekendsweekends.com\/\">Closing Time<\/a><\/span><\/em> curated by WeekendWeekendWeekend,&nbsp;New Galerie &#8211; Paris<br><em><a href=\"http:\/\/saintcirqlapopiebiennale.tumblr.com\/\">Saint-Cirq Lapopie Biennale<\/a><\/em>&nbsp;curated By Pierre-Alexandre Mateos and Charles Teyssou &#8211; Figeac<br><em><a href=\"http:\/\/www.lodosgallery.info\/\">U<\/a><\/em><span class=\"_4n-j fsl\"><em><a href=\"http:\/\/www.lodosgallery.info\/\">na Obra de Teatro en el PEEE&nbsp;<\/a><\/em> curated by&nbsp; Lodos,&nbsp;Museo Experimental El Eco &#8211; Mexico<br><\/span><em><span class=\"_5v1l _11s4\"><a href=\"http:\/\/artviewer.org\/some-of-my-best-friends-are-germs-at-doc\/\">Some of My Best Friends Are Germs<\/a><\/span><\/em><span class=\"_5v1l _11s4\"> curated by <span class=\"_4n-j fsl\">Ana Iwataki and Marion Vasseur Raluy,&nbsp;DOC &#8211; Paris<br><\/span><\/span><em><span class=\"_4n-j fsl\"><span class=\"text_exposed_show\"><a href=\"http:\/\/www.daily-lazy.com\/2016\/05\/das-tal-der-krisen-teil-3-at-belle-air.html\">DAS TAL DER KRISEN&nbsp; TEIL 3,<\/a><\/span><\/span>&nbsp;<\/em>Belle Air &#8211; Essen<br><em><span class=\"fsl\"><a href=\"http:\/\/carogna-amsterdam.tumblr.com\/\">CAROGNA<\/a><\/span> <\/em>at <span class=\"fsl\">Rijksakademie<\/span> &#8211; Amsterdam<br><em><a href=\"http:\/\/artviewer.org\/the-garden-at-room-e-10-27\/\">The Garden<\/a><\/em>, Room E 10 27 &#8211; Paris<br><em><a href=\"http:\/\/www.ofluxo.net\/kelly-bar-organized-by-pane-project\/\">Kelly Bar<\/a>,&nbsp;<\/em>Pane project &#8211; Milan<\/p>\n\n\n\n<p class=\"has-text-align-left\">2015<br><em><a href=\"http:\/\/playtime9800.tumblr.com\/\">Playtime<\/a><\/em>,&nbsp;9800 S Sepulveda curated by Pierre-alexandre Mateos and Charles Teyssou &#8211; LA<br><em><a href=\"http:\/\/www.islandisland.be\/drawers.php\">Drawers<\/a><\/em> curated by Gijs Milius,&nbsp;Island &#8211; Brussels<\/p>\n\n\n\n<p class=\"has-text-align-left\">2014<br><em><a href=\"http:\/\/theoffffice.com\/\">The Office<\/a>,&nbsp;<\/em>ACL Partners curated by Pierre-alexandre Mateos and Charles Teyssou &#8211; Paris<br><em>The cosmic Cesspit<\/em>&nbsp; &#8211; Zurich<\/p>\n\n\n\n<p class=\"has-text-align-left\">2013<br><em><a href=\"http:\/\/ohdude-magazine.com\/\">Oh Dude !<\/a>,&nbsp;<\/em>Abilene &#8211; Brussels<br><em>A sick Sun <\/em>&#8211; duo show with Petrus Heeren,&nbsp;Eugene &#8211; Brussels<br><em><a href=\"http:\/\/www.contemporaryartdaily.com\/2013\/03\/the-long-leash-at-the-ister-2\/\">A Long Leash<\/a><\/em>,&nbsp;The Ister &#8211; Brussels<\/p>\n\n\n\n<p>RESIDENCY &amp; GRANT<\/p>\n\n\n\n<p>2024 &#8211; Academie des Arts &#8211; Aide \u00e0 la production<br>2022-2023 &#8211; Villa Medicis<br>2022 &#8211; Fondation des Artistes &#8211; Aide \u00e0 la Production <br><span class=\"aCOpRe\">2021 &#8211; Mondes Nouveaux<br>2021 &#8211; Prix Mezzanine Sud &#8211; Mus\u00e9e des Abattoirs &#8211; Toulouse<\/span><br>2018 &#8211; Meurice Price<br>2018-2019 &#8211; Villa Belleville &#8211; Paris<br>2015-2016 &#8211; Cit\u00e9 Internationale des Arts de Paris &#8211; Paris<br>2017-2018 &#8211; Ast\u00e9ride &#8211; Marseille<em><br><\/em><\/p>\n\n\n\n<p>PUBLIC COLLECTION<\/p>\n\n\n\n<p>Frac Nouvelle-Aquitaine<br>Frac Bretagne<br>Frac Occitanie Montpellier<br>Collection publique de la ville de Paris<br>Collection des amis de la ville de Gennevilliers<br>Collection du centre Pompidou <\/p>\n\n\n\n<p>PUBLICATION &amp; TALK <br><br>2025  &#8211; Poesie Plateforme &#8211; Talk at Fondation Ricard with Phoebe Hadjimarkos-Clarke<br>2024 &#8211; CCC OD De Tours &#8211; Talk with Pierre-Unal Brunet<br>2024 &#8211; Affinit\u00e9s \u00c9lectives &#8211; Frac Montpellier &#8211; Talk with Nicolas Ballet &amp; Nicolas Ballet<br><a href=\"https:\/\/literalmadness.info\/\"><br><em>Literal Madness<\/em><\/a><em> <\/em>&#8211; Published by Antonia Antonia Truninger &amp; Maeva Himmler*<br><em><a href=\"https:\/\/www.lespressesdureel.com\/ouvrage.php?id=12042&amp;menu=0\">Catalogue \u00c9norm\u00e9ment bizarre <\/a><\/em><a href=\"https:\/\/www.lespressesdureel.com\/ouvrage.php?id=12042&amp;menu=0\">&#8211; Centre Pompidou \u2013 Collection Jean Chatelus<\/a><br><em><a href=\"https:\/\/www.annasolal.com\/index\/?p=3473\" data-type=\"URL\" data-id=\"https:\/\/www.annasolal.com\/index\/?p=3473\">LES TROIS PETITS a D\u2019aNNa SOLaL<\/a><\/em> Petite pi\u00e8ce injouable de Liliane Giraudon<br><em>Una Linea storta tesa<\/em> &#8211; Catalogue Villa Medicis <br><em>L&#8217;Enfant-Chiffre <\/em>published by <a href=\"http:\/\/www.cassandracassandra.ca\">Cassandra Cassandra<\/a><em><br>Taxi #1 &#8211; <\/em>published by Ilya Smirnov<em><br>Scamming Palazzo Lancia<\/em> &#8211; published by Flavio Palasciano and Franziska Wildf\u00f6rster<br><em><a href=\"https:\/\/tltr.biz\/#nn2h\">No need to Hunt. We just wait for the Roaskill<\/a><\/em> published by Paul Barsch at <span class=\"st\">TLTRPre\u00df<br><\/span><em>Magazine Palais<\/em> #30<br><em><a href=\"http:\/\/medianaranja.xyz\">MARS<\/a><\/em> &#8211; Publication by Media Naranja<br><\/p>\n\n\n\n<p>PEDAGOGIE<br><br>2025 &#8211; Journ\u00e9e d&#8217;accompagnement option Peinture &#8211; ENSAPC<br>2025 &#8211; Jury DNA Arts Plastique &#8211; L&#8217;\u00e9cole des&nbsp;Beaux-Arts de Marseille&nbsp;<br>2021 &#8211; Projet Art Plastique avec une classe Ulysse &#8211; <a href=\"https:\/\/orangerouge.org\/archives\/projet\/college-charles-peguy-verneuil-letang\">Orange Rouge<\/a><\/p>\n\n\n\n<p><\/p>\n\n\n\n<p> <a href=\"http:\/\/www.annasolal.com\/index\/?page_id=3455\">CRITICS<\/a><br><br><a href=\"https:\/\/americansuburbx.com\/2013\/01\/walker-evans-message-from-the-interiors.html\">Ghost is guest \u2013 Text on Walker Evans<br><\/a><a href=\"https:\/\/americansuburbx.com\/2013\/09\/diane-arbus-flirt-flash-mirror-2013.html\">Flirt, Flash and mirror \u2013 Text on Diane Arbus<br><\/a><a href=\"https:\/\/americansuburbx.com\/2011\/09\/jacob-holdt-misery-and-love-french.html\">Love &amp; Misery -Text on Jacob Holdt<\/a><br><a href=\"https:\/\/fluxnews.be\/5os-air-color\/\">50 Air\u2019s Color \u2013 Text on Saul Leiter<\/a><br><a href=\"https:\/\/fluxnews.be\/vis-cie\/\">Vis &amp; Cie \u2013 Chronique d\u2019un monde qui d\u00e9visse<\/a><br><a href=\"https:\/\/fluxnews.be\/princes-du-corail\/\">Prince du Corail \u2013 solo de Dewitt<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>ANNA SOLAL00 33 (0)6 59 23 95 24anna.solal@gmail.com19.05.1988Paris Forthcoming*Instagram SOLO &amp; DUO 2026Solo &#8211; Profil* &#8211; Paris 2025Diplomatie with Alix Prada &#8211; Balloontooth Gallery 2024Mille Projectiles &#8211; Frac Montpellier &#8211; MontpelierIntrication &#8211; Duoshow avec Pierre-Unal Brunet &#8211; CCC OD &#8211; Tours 2023Le br\u00e9viaire &#8211; Mamoth &#8211; LondonFlag &#8211; Duo show with Alix Prada &#8211; Condotto48 [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"open","ping_status":"open","template":"","meta":[],"_links":{"self":[{"href":"https:\/\/www.annasolal.com\/index\/index.php?rest_route=\/wp\/v2\/pages\/39"}],"collection":[{"href":"https:\/\/www.annasolal.com\/index\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.annasolal.com\/index\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.annasolal.com\/index\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.annasolal.com\/index\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=39"}],"version-history":[{"count":485,"href":"https:\/\/www.annasolal.com\/index\/index.php?rest_route=\/wp\/v2\/pages\/39\/revisions"}],"predecessor-version":[{"id":3669,"href":"https:\/\/www.annasolal.com\/index\/index.php?rest_route=\/wp\/v2\/pages\/39\/revisions\/3669"}],"wp:attachment":[{"href":"https:\/\/www.annasolal.com\/index\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=39"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}